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Thursday, October 11, 2018

#Throwback Thursday: 2007

On "Performing Monkey Syndrome"

Throwing back to my 2007 interview with Jonathan Spottiswoode. - md


[EXCERPT]
Spottiswoode: Ah, the performing monkey syndrome. Lexi, it’s all about feeling alive. We all go through life in a numb state most of the time. Some of us more happily than others. Artists do what they do for various reasons. But mostly just to feel alive, to feel that they are expressing themselves in the moment, transcending their troubles. Of course, attention from fans can make you feel alive too. Everyone likes attention. It is incredibly rewarding to hear strangers ask you to play a song you’ve written, especially when you’re starting out. It’s a dream come true. I understand if folks in the audience feel that the artist is ungrateful if he or she doesn’t grant a request. Okay, here’s the other side of the coin…you’ve played a particular song in many places. You’ve had magical moments with that song, unforgettable even. The song is like a lover. If you play it too often, especially when you don’t feel like it, it can dilute the memory and the affection you have for it. The other thing is this: every set of music is an emotional journey for an artist, especially an artist playing their own songs. Each song you play means something significant to you (even the so-called “novelty songs”). And they mean something different to you on any particular night. This is the part about feeling alive.

SuperLowBudge: So it can be like a restaurant patron asking the chef to please pass the salt.

Spottiswoode: Perhaps you have played a few soulful songs and a few songs about past relationships. Perhaps that combined with the weather and the lighting etc. has taken you to a raw and melancholy place. At which point someone requests a funny song or an angry song. On a particular night, that song may be the perfect prescription for you to snap out of where you are and take the show to the next place. But on another night, it just feels wrong and dishonest and abrupt. Not to the audience, I understand. But to the artist as an individual with his or her own tired bag of emotions and memories. Each song in a set is an antidote to the song that came before. The wrong combination and you can poison yourself.
 

SuperLowBudge: That's quite deep.
 

Spottiswoode: Call me a low budget drama queen. ∎

[Go to full interview]



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